Simon Reynolds

Rip It Up and Start Again

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  • Paul Yablonskiyhas quoted2 years ago
    The Medium Was Tedium
  • Paul Yablonskiyhas quoted2 years ago
    It takes Ecstasy to make a white man dance
  • Paul Yablonskiyhas quoted2 years ago
    Jilted John and John Cooper Clarke
  • Paul Yablonskiyhas quoted2 years ago
    Cardiff’s Is the War Over? and Sheffield’s Bouquet of Steel.
  • Paul Yablonskiyhas quoted2 years ago
    Mekons, Gang of Four, the Scars, and the Human League
  • Paul Yablonskiyhas quoted2 years ago
    Raincoats, Stiff Little Fingers, the Fall
  • Paul Yablonskiyhas quoted2 years ago
    Stiff Little Fingers
  • Paul Yablonskiyhas quoted2 years ago
    Throbbing Gristle’s “United,” Cabaret Voltaire’s Extended Play EP, Human League’s “Being Boiled,” Robert Rental’s “Paralysis,” and Thomas Leer’s “Private Plane.”
  • Paul Yablonskiyhas quoted2 years ago
    Swell Maps, Scritti Politti, Young Marble Giants, the Television Personalities, Thomas Leer, and Daniel Miller, aka the Normal
  • Paul Yablonskiyhas quoted3 years ago
    In a sense, postpunk was progressive rock, but drastically streamlined and reinvigorated, and with a more austere sensibility (no ostentatious virtuosity), not to mention much better haircuts.
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