Books
Lutz Schöbe,Michael Siebenbrodt

Bauhaus

Antonina Panchenkohas quoted2 months ago
The creation of a new man for a new, more humane society was the Bauhaus’s true goal.
orsonem27has quoted8 months ago
Dürer’s measurements and the Golden Ratio
orsonem27has quoted8 months ago
s an artist and teacher he succeeded in overcoming and balancing, with this complex reference to man as the primary orientation for action, the potential conflict imminent within the Bauhaus,
orsonem27has quoted8 months ago
tone sculpting, metal workshop and woodcarving
orsonem27has quoted8 months ago
lee impressed on the weavers further aspects of his colour theory and laws with regard to design on planes, then had them complete black-and-white scales, for instance, and varying light/dark relationships before the actual textile design began. Unity and balance in composition and colouration, the “creation of unity from the many”, which to Klee represented perfect design practise, were the decisive criteria.
orsonem27has quoted8 months ago
Klee’s colour theory was based on movement theory principles, and this was his original contribution.
orsonem27has quoted8 months ago
Goethe, Runge, Delacroix and Kandinsky.
orsonem27has quoted8 months ago
Johannes Itten, who called himself a “master of colour”, was the only Bauhaus teacher concerned with an aesthetic colour theory
orsonem27has quoted8 months ago
the organic connection of the picture elements and the forces emanating from them
orsonem27has quoted8 months ago
Furthermore, there were questions of balance and movement, of structure and rhythm, etc.,
orsonem27has quoted8 months ago
Analytical examination of the elements of form, from point to line to plane and eventually to space, was, in contrast to Kandinsky, oriented towards the process character of work
orsonem27has quoted8 months ago
the theories of colour and form were the most important thematic emphases within his teaching spectrum
orsonem27has quoted8 months ago
practical design work
orsonem27has quoted8 months ago
relationship of abstract to objective art demonstrated
orsonem27has quoted8 months ago
Point and Line to Plane in 1926.
orsonem27has quoted8 months ago
examination and analysis of the relationship between art, architecture and technology.
orsonem27has quoted8 months ago
Simple furniture and other objects for daily use, draped textiles etc., were arranged in “still lifes”, graphically captured and abstracted in a step-by-step process according to formal tensions that could be felt and portrayed in a diagram
orsonem27has quoted8 months ago
“... Education for clear observation and clear representation of correlations”
orsonem27has quoted8 months ago
From this grew the association of the three basic shapes circle, triangle and square with blue, yellow and red.
orsonem27has quoted8 months ago
oethe, perceptual psychology, esotericism
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