Hands Around [Reigen]: A Cycle of Ten Dialogues

Arthur Schnitzler's “Hands Around [Reigen]: A Cycle of Ten Dialogues” offers a provocative exploration of love, desire, and social dynamics in early 20th-century Vienna. Structured as a series of interlinked conversations between different pairs of characters, this play navigates the complexities of human relationships, revealing the superficiality and depth of intimacy. Schnitzler's incisive dialogue and vivid characterizations create an interplay of perspectives, allowing readers to observe the societal constraints and personal motivations that shape the erotic encounters of its diverse cast. The work is notable for its subversive approach to themes of sexuality and morality, contributing to discussions around modernist literature and early feminist thought within the literary canon of the time. Arthur Schnitzler (1862–1931) was an Austrian playwright and novelist, known for his keen psychological insights and pioneering explorations of sexuality. Growing up in a Jewish family in fin-de-siècle Vienna, he was deeply influenced by the cultural ferment of his surroundings and the burgeoning theories of psychoanalysis, particularly those of Sigmund Freud. This personal and intellectual context informs “Reigen”, as it confronts the taboos of the era while reflecting Schnitzler's own struggles with societal norms and expectations regarding intimacy. “Hands Around” stands as a compelling examination of human nature that is both timeless and relevant. Readers who are intrigued by the intersections of love and social class will find this work not only engaging but essential. Schnitzler's deft craftsmanship invites contemplation and discussion, making it a significant addition to any literary discourse on sexuality and human connection.