Basic Mixing Techniques

difference between the two vocal lines, the multitrack can be speeded up or down by around a semitone before the second part is recorded

A common problem with double-tracked parts is that words may start together but end up sounding ragged because the endings of the words aren’t in sync

Double tracking is a popular treatment for adding depth to a voice

several backing vocals then rolling off a touch of bass might help the vocal to sit better in the mix without sounding muddy

Presence can be added with just a little boost at 3–4kHz, but be careful or the sound may become harsh

Boosting in the 1–2kHz range lends a rather honky, cheap sound to the vocals and so is not recommended, unless you’re using it as a special effect. Try to keep vocals as flat as possible

Once you have recorded a good vocal part you will invariably need to employ a suitable reverb or ambience treatment in order to add realism

using a good dynamic or capacitor mic in conjunction with a pop shield and recording with no EQ or other effects