Simon Reynolds

Energy Flash

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Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s.
England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon.
Read on, and learn why is nitrous oxide is called “hippy crack.”
This book is currently unavailable
872 printed pages
Original publication
2012

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Quotes

    Наталья Богатыреваhas quoted3 months ago
    Ravers eagerly assume that they’ve been sold an inferior product, and take more pills to compensate; hence the perennial mantra ‘E’s are shit these days, you have to take five of them to get a buzz’. Often the ‘weakness’ of any given Ecstasy pill is caused by the serotonin-depletion effect; the bliss-deficit is in the raver’s brain, not the tablet. If E was legally available in doses of guaranteed purity and fixed levels of MDMA content, it would be easier for users to monitor their intake, to realize when they’re overdoing it.
    Наталья Богатыреваhas quoted3 months ago
    Taking Ecstasy is like going on an emotional spree, spending your happiness in advance.
    Наталья Богатыреваhas quoted3 months ago
    House and techno producers have developed a drug-determined repertoire of effects, textures and riffs that are expressly designed to trigger the tingly rushes that traverse the Ecstatic body.

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